Why De La Soul Albums are better than Dating Taylor Swift

Sep 07, 2016 |

Taylor Swift has stated that she has written songs about all of her ex-boyfriends, and that they are the greatest inspiration for her. So this is a list of who was the inspiration for what song, what interviews she talked about it in, and any other relevant information.

Taylor Swift and Tom Hiddleston have reportedly split after Summer Romance

De La Soul  Posdnuos, Dave and Maseo

De La Soul
Posdnuos, Dave and Maseo

De La Soul is an American hip hop trio formed in 1987 on Long Island, New York.[1] The group is best known for their eclectic sampling, quirky lyrics, and their contributions to the evolution of the jazz rap and alternative hip hop subgenres. The members are Posdnuos, Dave and Maseo.

De La Soul, Still Rising After All These Years on ‘and the Anonymous Nobody…’

When D.A.I.S.Y. Age survivors De La Soul announced that they were returning to the studio after a decade’s hiatus — and that, instead of pushing the project through a traditional record label, they were looking to fund the album via Kickstarter — fans were understandably excited about the implications for one of hip-hop’s most famously creative acts. And true to form, the Long Island rap legends decided to forego heavy sampling and studio synth shortcuts on the resulting LP, and the Anonymous Nobody…, instead putting the money towards session musicians and orchestral production. As a result of that approach and the group’s singular vision, De La Soul have delivered one of their most ambitious and consistently rewarding albums.

And the Anonymous Nobody… isn’t just an album that proves hip-hop elders are still capable of great work; it’s an LP that reaffirms De La Soul as standard-bearers for Gen-X rap artistry. There’s a lot to say about hip-hop artists “aging well,” but compared to rock and R&B, there isn’t the major bias against decades-deep MCs that there used to be. Of the rap game’s first wave of legendary album-driven artists that emerged in the late-’80s (up to the late-’90s), quite a few have recorded strong records deep into the 2010s: Ghostface Killah, Big Boi, the Roots, and mainstays like Nas and Jay Z are all still viable album artists in a genre inarguably driven by rhymers a generation younger. These seasoned rappers may not be consistently making hits, but they are delivering well-received LPs as evidence of a still-burning creativity: The album has become the refuge of the veteran rap great.

Which is great news for De La Soul — the trio has always been about making great albums, first and foremost. Over the 15 years between their 1989 debut, 3 Feet High and Rising, and 2004’s The Grind Date, Pos, Dave, and Maseo crafted long players that were intended for extended listening. Faux-conceptualism drove all of those albums to varying degrees, while immaculate and inventive production — dating back to Prince Paul’s standard-setting, outside-the-box sampling on 3 Feet High — has been a hallmark for every entry in the shape-shifting outfit’s discography.

De La Soul’s debut album, 3 Feet High and Rising, released in 1989, was a critical smash hit in the hip hop genre. They quickly became prominent members of the Native Tongues Posse along with A Tribe Called Quest, Black Sheep, Queen Latifah, the Jungle Brothers and others.

The second album, De La Soul Is Dead (1991) was a much more mature album. It featured a wealth of material that criticized the violent, careless direction that hip hop was heading in at the time, though it still managed to maintain a light, absurd sense of humor. The cover of the album features a broken daisy flower pot, symbolizing the death of the “D.A.I.S.Y. Age” and the imagery that went along with it.

The group’s third studio release, 1993’s Buhloone Mindstate, saw the group evolve a new sound as they continued to grow stylistically and musically. There were several moments on the album which proved the band had matured. “I Be Blowin'” was a departure as the track was an instrumental featuring saxophone playing by Maceo Parker.
De La Soul - Buhloone Mind State

Stakes Is High (1996) was the first album not produced by Prince Paul, with overall production credits given solely to the trio. Although it was met with poor sales, it has been critically lauded for its music, lyricism, and its overall message concerning the artistic decline rap music began to face in the mid-90s.

De La Soul Stakes Is High album cover

De La Soul Stakes Is High album cover

Four years later, De La Soul announced that they would release a triple album series entitled “Art Official Intelligence” (or AOI). All three albums were intended to be released within a year, beginning with the release of Art Official Intelligence: Mosaic Thump.

Art Official Intelligence: Mosaic Thump

Art Official Intelligence: Mosaic Thump

De La Soul discography

.3 Feet High and Rising (1989)
.De La Soul Is Dead (1991)
.Buhloone Mindstate (1993)
.Stakes Is High (1996)
.Art Official Intelligence: Mosaic Thump (2000)
.AOI: Bionix (2001)
.The Grind Date (2004)
.Plug 1 & Plug 2 Present… First Serve (2012)
.and the Anonymous Nobody… (2016)


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